Of Great Historical, Artistic and Religious Importance – a Unique Byzantine Gold Medallion to be Auctioned by Roma Numismatics Ltd of Mayfair, London

LONDON, Aug. 29, 2014 /PRNewswire/ —

Ancient artefact expected to bring GBP800,000+ in Roma Numismatics’ Sept. 28 auction; on display at 20 Hanover Square, Sept. 1-27. 

A unique and highly important Byzantine gold medallion is expected to fetch GBP800,000+ when it is offered at auction in September by London-based auctioneer Roma Numismatics Ltd. It is among 1,200 superb ancient Greek, Roman and Byzantine coins that are being sold in the firm’s autumn auction. The medallion was struck as part of the grand imperial wedding celebrations for the princess Charito, daughter of the emperor Tiberius II Constantine, to Germanus, the supreme commander of the Byzantine armies, on or around Christmas Day in 583 AD. It weighs over 100 grams, and is one of the very largest gold medallions known to have survived antiquity.

(Photo: http://photos.prnewswire.com/prnh/20140828/703399)

This grand imperial medallion depicts a remarkable series of illustrations from the story of the life of Christ as related by early Christian texts, of which some have no peer or parallel in surviving Byzantine precious metal art. The front features a highly detailed portrayal of the Annunciation, in which the Angel Gabriel delivers his message to Mary that she shall conceive the son of God. It also shows two smaller scenes of the Visitation and the Nativity. The whole of the reverse is dedicated to an image of Christ’s Ascension to Heaven as his disciples look on. It is believed that this medallion preserves the earliest surviving images of the Annunciation and Ascension in gold.

The medallion is comparable only to the famous specimen in the Dumbarton Oaks Museum (Washington D.C., USA) with which it shares a great many similarities, and a lesser example currently residing in the Christian Schmidt Collection (Munich, Germany). All three appear to have been the work of the same imperial artisan and were produced within a very short time-span.

Richard Beale, director of auctioneer Roma Numismatics, said: “This incredible piece is tremendously significant, not only from a historical perspective, but also because of the rich religious symbolism woven into its design. The scenes as portrayed here became the standard model for all subsequent Byzantine and Orthodox depictions of these key moments from the life of Christ. It is thus of immense importance within the fields of both Byzantine and early Christian art.”

Richard Beale, info@romanumismatics.com, +44-(0)20-3178-2874

Golden Teardrop by Arin Rungjang from Thailand Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

BANGKOK, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

The work by Arin Rungjang, the only Thai artist shortlisted for the prestigious title, is a video installation that debuted at the Venice Biennale as part of the Thai Pavilion in 2014. Golden Teardrop revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy while Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness. From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

And from South Korea, Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s ‘mosquito halls’ while Nguyen Trinh Thi’s Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

In Pursuit of Venus by Lisa Reihana from New Zealand Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

AUCKLAND, New Zealand, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

Lisa Reihana is the only finalist shortlisted from New Zealand for the prestigious title. Her video installation is a beautiful and spectacular piece titled In Pursuit of Venus which reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy while Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s ‘mosquito halls’ while Nguyen Trinh Thi‘s Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

 

Infinite Love by Owen Leong from Australia Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

SYDNEY, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

The Singapore Art Museum (SAM) Logo

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

Owen Leong’s Infinite Love, a subtle video that is cleanly positioned yet extremely violent, is the only Australian artist shortlisted for the prestigious title. Infinite Love is a visceral and poetic performance that explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy. Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s mosquito halls while Nguyen Trinh Thi‘s Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

I’m a Ghost in My Own House by Melati Suryodarmo from Indonesia Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

SURAKARTA, Indonesia, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

 

The Singapore Art Museum (SAM) Logo

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from mainland China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (2012-2014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (2010-2013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

I’m a Ghost in My Own House by Melati Suryodarmo, the only Indonesian finalist shortlisted for the prestigious title, is an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy.

Other finalists works include Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s ‘mosquito halls’ while Nguyen Trinh Thi Unsubtitled looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of the artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-6213-9940

DID: +65-6697-9762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-6276-3488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b

Unsubtitled by Nguyen Trinh Thi from Vietnam Shortlisted as Finalist in Third Asia Pacific Breweries Foundation Signature Art Prize

15 finalists vying for SGD 60,000 Grand Prize revealed today

HANOI, Vietnam, Aug. 27, 2014 /PRNewswire/ — The Singapore Art Museum (SAM) and Asia Pacific Breweries (APB) Foundation today announced the 15 finalists of the APB Foundation Signature Art Prize 2014. Now in its third installment, the prize spotlights the most compelling contemporary artworks created by artists in the Asia Pacific region over the last three years.

Selected by a panel of five eminent judges from around the region, the finalists’ works were chosen from 105 nominated artworks from 24 countries and territories. Innovative and exciting creations from recent years, the contemporary artworks represent the very best of the region and are intentionally not limited by genre. Spanning various mediums from painting to sculpture, photography, video works and performance art, they each address topical issues and collectively shed light not just on our region’s contemporary art landscape but also on the topics and conversations relevant in our society today.

The 15 finalists represent 13 countries and territories including Thailand, South Korea, Pakistan, Japan, Singapore, New Zealand, mainland China, Indonesia, Vietnam, Australia, India, Bangladesh and Taiwan. They include:

  • Golden Teardrop (2013) by Arin Rungjang from Thailand
  • Custos Cavum (Guardian of the hole) (2011) by Choe U-Ram from South Korea
  • Kahani Eik Shehr Ki (story of a city) (2012) by Farida Batool from Pakistan
  • One places / on “the room” (2013) by Go Watanabe from Japan
  • PYTHAGORAS (2013) by Ho Tzu Nyen from Singapore
  • In Pursuit of Venus (2012) by Lisa Reihana from New Zealand
  • Trace (2011) by Liu Jianhua from China
  • I’m a Ghost in My Own House (2012) by Melati Suryodarmo from Indonesia
  • Rankin Street, 1953 (2013) by Naeem Mohaiemen from Bangladesh
  • Unsubtitled (2013) by Nguyen Trinh Thi from Vietnam
  • Infinite Love (2011) by Owen Leong from Australia
  • Letters From A Distance (20122014) by Peng Wei from mainland China
  • House of Opaque Water (2013) by Ranbir Kaleka from India
  • Mirage — Disused Public Property in Taiwan (20102013) by Yao Jui-Chung + Lost Society Document (LSD) from Taiwan
  • Eskimo wolf trap often quoted in sermons (2013) by Zhao Renhui from Singapore

(For detailed artist’ statements and biographies, please visit http://www.singaporeartmuseum.sg/apbfSAP2014.html)

Selecting this year’s Finalists is a judging panel comprising Mr. Chris Saines, Director of Queensland Art Gallery | Gallery of Modern Art; Mr. Feng Boyi, eminent independent art curator and critic of Chinese contemporary art; Ms. Luckana Kunavichayanont, Director of Bangkok Art and Culture Center; Ms. Pooja Sood, Director of KHOJ International Artists’ Association; and Dr. Susie Lingham, Director of Singapore Art Museum.

A statement from the jury panel stated, “We’re excited to be presenting the finalists of the APB Foundation Signature Art Prize 2014. Narrowing the choice from over 100 works to the final 15 involved a rigorous selection process and intensive discussions — testament to the high caliber of entries that were refined, rich and diverse. Overall, the 15 works selected offer a glimpse of the future of our region’s rich and constantly evolving contemporary art scene. The finalist works stood out for their strength of concept and execution and despite stemming from such diverse contexts, histories and cultural backgrounds, cleverly explored similar issues of identity, immigration, urban expansion, depletion of natural resources, fading of old values, cultural diversity and more.”

Unsubtitled by Nguyen Trihn Thi is the only Vietnamese work shortlisted for the prestigious title. Her work is a hauntingly thought-provoking video installation that looks at freedom of expression through an installation about Nhan Van-Giai Pham — a suppressed literary movement of the 1950s.

Other finalists works include Melati Suryodarmo’s I’m a Ghost in My Own House, an intense and powerful 12-hour long performance that sees the artist grind and crush hundreds of kilograms of charcoal, a symbol of life’s energy while Australian Owen Leong’s Infinite Love, a visceral and poetic performance, explores the body as a physical site for social, cultural and political forces in relation to his Asian-Australian identity.

Employing the use of meditative visuals, Go Watanabe’s One places / on “the room” presents a technically challenging and deeply absorbing piece that changes the way we look at time and space; Ranbir Kaleka’s House of Opaque Water uses a narrative structure to present the idea of displacement and society’s response to these situations; and New Zealander Lisa Reihana’s work In Pursuit of Venus reflects the beauty of the Pacific Islands while offering a nuanced critique of its colonial legacies.

From mainland China the works shortlisted include Liu Jianhua’s Trace, a striking piece inspired by the traditional art forms of calligraphy and porcelain to comment on societal ills and Peng Wei’s Letters from a Distance, which is steeped in traditional practices and utilizes Chinese aesthetic objects like scrolls and leaves melded together with texts from Western philosophers.

Works shortlisted from Singapore include Ho Tzu Nyen’s PYTHAGORAS, a creation that serves as an immersive experience for audiences to explore the concept of the unseen and the concealment of power, sound or the voice; while Zhao Renhui’s seemingly minimalist installation titled Eskimo wolf trap often quoted in sermons, draws on his experience of traveling through the Arctic and being overwhelmed by its starkness. Choe U-Ram’s Custos Cavum (Guardian of the hole) takes the form of a mesmerizing and highly imaginative sculpture that depicts a mythical creature that is at once from the past yet also from an apocalyptic future and Arin Rungjang’s Golden Teardrop, revisits pivotal moments in Thai history and looks at the human movement and the exchange of cultures.

Exemplifying how art has the power to highlight a social issue for scrutiny and exact real change, Yao Jui-Chung & Lost Society Document (LSD)’s Mirage — Disused Public Property in Taiwan is an investigative political work on Taiwan’s mosquito halls.

Finally, exploring spaces and places, Pakistan’s Farida Batool’s Kahani Eik Shehr Ki (story of a city) brings viewers on a walk down a busy city street in Lahore, capturing the side of a city that people may not know of via 21 long lenticular prints while Naeem Mohaiemen of Bangladesh presents Rankin Street, 1953, an intimate work that reveals the artist’s memories of his family using his family home as the subject and uncovering the past through vintage photograph negatives.

The APB Foundation Signature Art Prize is worth $100,000 with $60,000 awarded to the Grand Prize winner and $15,000 each for two Jurors’ Choice Award winners. A People’s Choice Award of $10,000 will also be offered to the artwork that receives the highest number of public votes via on-site and online submissions (voting opens from 14 November 2014).

The APB Foundation Signature Art Prize Exhibition will take place at SAM from 14 November 2014 to 15 March 2015 with the winners announced at an awards ceremony on 22 January 2015. For more information, please visit the APB Foundation Signature Art Prize webpage at http://www.singaporeartmuseum.sg/apbfSAP2014.html.

About the Asia Pacific Breweries (APB) Foundation

Instituted in June 1994, the APB Foundation seeks to ignite compassion and inspire through our philanthropic efforts. We set resources in motion to help people and organisations improve talents, enhanced educational and research endeavours as well as better living conditions. In turn, we fuel society and enable the communities, where we live and work, to flourish.

Committed to supporting Human Excellence, Creativity Development and Humanitarian Causes, the APB Foundation is involved in a variety of initiatives that range from arts funding and backing talent-building projects for human capital development, to engaging in meaningful partnerships with organisations or individuals who share our common goal to serve the society.

The APB Foundation is a registered charity managed and funded by Heineken Asia Pacific Pte. Ltd. (HEINEKEN Asia Pacific).

About the Singapore Art Museum

The Singapore Art Museum (SAM) focuses on contemporary art practice in Singapore, Southeast Asia and Asia within the global context. It advocates and makes accessible interdisciplinary contemporary art through research-led and evolving curatorial practice. Opened in January 1996, SAM has built up one of the most important collections of contemporary art from the region. It seeks to seed and nourish a stimulating and creative space in Singapore through exhibitions and public programmes. These encompass cross-disciplinary residencies and exchanges, research and publications, as well as outreach and education. SAM was the organiser of the Singapore Biennale in 2011 and 2013.

SAM was incorporated as a Company Limited by Guarantee on 13 November 2013 and has moved from the National Heritage Board to the Visual Arts Cluster (VAC) under the Ministry of Culture, Community and Youth (MCCY). The other institutions under the VAC are the National Art Gallery, Singapore (NAGS), and the Singapore Tyler Print Institute (STPI).

For more information and images of artists and judges, please contact:

Kimberly Mah

Lynn Sim

Ogilvy Public Relations

Singapore Art Museum

DID: +65-62139940

DID: +65-66979762

Email: kimberly.mah@ogilvy.com

Email: lynn.sim@singaporeartmuseum.sg

Janet Neo

Asia Pacific Breweries Foundation

DID: +65-62763488

Email: janet.neo@heineken.com

Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-a
Logo – http://photos.prnasia.com/prnh/20140826/8521404797LOGO-b