Legazpi: True to his nature as a director who preferred the subtle glow of the backstage over the blinding lights, Bicol region's theater icon Julio Mendoza took his final bow on March 11-quietly and without much fanfare-staying true to how he had always lived.

According to Philippines News Agency, Mendoza, 67, passed away after battling chronic kidney disease for over three years. His foster son, Joe Michael Elliot, revealed that Mendoza's last wishes were simple: to remain in his own bed, gently turned to the right, and not to be woken so he could softly slip into the night. He also requested that his vigil last only three days, a period he deemed "long enough for us to remember and honor him, yet short enough for us to rest."

Mendoza's death marks the end of an era for Bicol's theater scene. Colleague Dennis Mirabueno expressed that Mendoza's dedication was unique, not seeking applause but focusing on the craft, community, and the people who continue the work after him.

For those who attended his classes, Mendoza was not just an instructor but a mentor who opened their eyes to the deeper realities and possibilities within the performing arts. Former student Ariane Alcantara recalled his strict demeanor and his insistence on discipline and commitment, emphasizing that his sternness was rooted in a sincere desire to help students grow.

Shirley Maloles, chair of BUCAL's Performing Arts Department, described Mendoza's approach to theater as a platform for artistic expression and social awareness. His notable works, such as "Sa Pamitisan sa Bulkan" and "Kaldero," demonstrated his commitment to bringing meaningful messages to the community. Mendoza's legacy in Bicol's theater scene is marked by his dedication to exploring significant social themes through his craft.

As Bicolanos come to terms with the loss of their beloved theater icon, Julio Mendoza's legacy continues to inspire and influence the community he cherished.